Older and bolder than Clark Gable (Feb.1, 1901- 1960)

he’s been dead longer than he’s been alive.

he’s been dead as long as I’ve been alive.

not nothing p. 108 Johnson 2014 Siglio, Los Angeles

bw

COREY ROAR HE THE FEROCIOUS WISDOM

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Twelve upcoming 2026 shows from Earthwise

Jan 28 Corey Harris, DJ Sep M 

7 pm doors 8 pm show

Jan 29 Corey Harris,  Jack Tuttle & Walter Jebe M 8 pm

Jan 30 Corey Harris, Will Bernard, M 8 pm

Feb 22 Jim Campilongo Adam Levy Duo P  7:30 

Feb 28 Edward Simon Trio f Adam Cruz Or Bareket, Stephan Crump M 8 pm

March 17 Edu Ribeiro Noah Garabedian Vinicius Gomes trio, Murray Low M

March 23 Ralph Alessi Quartet P

April 4 Realtime Collective Tammy Hall Sylvia Cuenca Kristen Strom Ruth Davies, Rabiah Kabir  M 8 pm

May 1 Never Come Down J 6:30

May 15 Caroline Davis Quartet M

June 6 Emi Makabe Quartet f Thomas Morgan Kenny Wolleson Vitor Gonćalves M

Sept 18 Splash Myra Melford Michael Formanek Ches Smith M

J = Johnson Park (free)

M = Mitchell Park Community 

Center

P = Palo Alto Art Center

There’s actually a 13th show in that I’m otherwise uncredited as a producer of a free Howard Wiley Trio concert Friday at Elks Club in Palo Alto. Here.

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Corey Harris three-show engagement at The Mitch

Corey Harris is playing three shows at The Mitch next week Wednesday, January 28, Thursday, January 29 and Friday, January 30. This is actually a big week for local Blues in that Gary Clark from Austin is playing nearby as well.

What distinguishes these shows beyond the difference between country blues, and electric Blues is the three different openers: Wednesday is DJ Sep, spinning reggae, and dub; Thursday is the duo of Jack Tuttle violin and Walter Jebe guitar; Friday is Will Bernard jazz guitar stylings. Tickets are $20 each or all three shows for a total of $45.

I told Corey’s story many times in brief in the 22 years of our acquaintance : he’s from Denver and was studying to be a teacher at Bates College; he won a fellowship to study in West Africa; while there he was taken by the music of Boubecar Traore; he did Teach for America in New Orleans and became serious about acoustic blues. He was signed to a record label Alligator Records. He had a duo with piano legend Henry Butler. I met him when he and Henry were part of the Front Porch Blues caravan that played on a tour that started in San Diego and finished in Maine. I saw him play at the Kennedy Center that year 2003 and then again at Yoshi’s five years later, but I really have not seen him since. Because JoVia Armstrong played in my series and is Corey’s colleague at the University of Virginia. I was put back in touch with him and this set of shows is the result.

Corey is also a winner of the MacArthur foundation genius grant for his work, articulating the theory of American rock, blues and jazz, coming up from New Orleans coming from the Caribbean and originating in West Africa. Martin score says he included Corey in Africa is part of his miniseries about the blues.

Score!!!

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Shout out to Red Rock of MV open mic on Mondays

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As a prank on first Ethan Iverson but later on myself I hired Jerry Guo pka Lungfish to beat box the drum parts on ‘Flim’

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Shout outs William Parker Kenneth Patchen

I According to Parker’s liner notes accompanying the 1998 reissue, the album title is from a line of poetry by Kenneth Patchen: “through acceptance of the mystery peace & only through peace can come acceptance of the mystery.” The composition of the same name is dedicated to and inspired by Patchen. “Desert Flower” is for “those human beings who flower within the desert, whether that desert is the Sahara, or the streets of Watts or Capetown.”

William Parker‘s 1980 debut album is named for a line in a Kenneth Patchen poem.

caught William Parker big band show in New York at Nublu which is also a Brazilian club; I caught the end of the Brazilian act, which was Hamilton Holande; before I realized I could sneak into the end of the Brazilian act, I watched William Parker mustering his troops; I cut in to exchange words with Rob Brown, a long time sax collaborator; when I approached William and said I was from palo alto he said “Kenneth Patchen

I thought it was fantastic. It seemed like the whole set was a riff on Curtis Mayfield people get ready. I could see the lead sheet that the keyboard is working from it was labeled “get on board”. I got on board.

Kenneth died in palo alto in the early 1970s. He spent the last year of his life here; he slowed a bit by a back injury, the time you said he moved to palo alto from the city to be closer to a treatment. I found a volume of his work at Bell’s Books. The New York Times review said obituary said that he I will make a little room if you find a chair no worries.

is that poetry?

I also remember aleta hayes to him. The vocalist in Williamsburg were three distinct voices and styles. The first one was like a news announcer with good addiction and power and her mostly spoken voice. The second one was a small Asian woman who was firey and expressive. The third was slightly older reminded me of Laurie Anderson, but with good melodies. I wrote down the names of the performers. I admit the trombone player earlier in the evening on our way to get a falafel on the corner market. My wife was assertive with a large hairy man who didn’t realize he was blocked in her interview.. plus we were lucky to be sitting stage right in a loft.

fantasize about bringing William Parker to palo alto he had been at Stanford and I believe San Jose in recent years (20?).

writing this reminds me of reading howl on the balcony of Bell’s Books with Beth Custer blowing clarinet or or Larry Ochs reading below Nils Freydahl at Lytton Plaza, one dark and stormy night around noon with the sun under a Canopy.

And1:

reading into Kenneth Patchen is a link or two away from Al Neil, who played behind Kenneth an early manifestation of the trope of jazz and poetry, perform simultaneously or symbiotic interdependently or cahoots

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JIM CAMPILONGO & ADAM LEVY GUITAR DUO

PALO ALTO ART CENTER

SUNDAY, FEBRUARY 22

Earthwise >>2026

Jan 28 Corey Harris, DJ Sep. M 7 pm doors 8 pm show

Jan 29 Corey Harris,  Jack Tuttle & Walter Jebe M 

Jan 30 Corey Harris, Will Bernard, M

Feb 22 Jim Campilongo Adam Levy Duo P 

Feb 28 Edward Simon Trio, Stephan Crump M

March 17 Edu Ribeiro Noah Garabedian Vinicius Gomes trio, Murray Low M

March 23 Ralph Alessi Quartet P

April 4 Realtime Collective Tammy Hall, Sylvia Cuenca, Kristen Strom, Ruth Davies M

May 15 Caroline Davis Quartet M

June 6 Emi Makabe Quartet M

Sept 18 Splash Myra Melford, Michael Formanek, Ches Smith M

P = Palo Alto Art Center

M = Mitchell Park Community 

Center

$20

😎 ⛄️ 🐍 

like this:

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I remember when punk rock Super Bowl was an oxymoron

Green Day kicks off the Super Bowl week

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Isn’t it putty to think so?

this says that something good is going to happen. It’s an indirect Hemmingway reference but more directly Rob Brehzny in the Metro

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Artist William Winant paints the sky on behalf of or in front of Qualia Gallery and why not?

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